DAW and Production Suites

Pro Tools 10 is a watershed release for Avid's industry-standard music and audio creation system.

Studio One® 4 was designed with ease of use at its core. For ten years now, it has seamlessly combined the time-tested and proven recording studio model with today’s beat- and loop-oriented production process—so you can bring musical ideas to sonic reality more quickly than ever before.

Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features—everything you need to make any kind of music.

Interface and Pre-amps

Focusrite Clarett 8preX

26-IN, 28-OUT THUNDERBOLT™ AUDIO INTERFACE

Excellent sound is the quality Clarett owners love most. With up to 119dB dynamic range, superbly low noise, precision 24-bit/192kHz conversion and eight specially designed mic preamps with a unique analogue Air effect, Clarett 8PreX simply sounds great, easily outperforming other interfaces in its class and beyond. Meanwhile, its 1.67 ms round-trip latency simplifies your workflow and lets you use your favourite plug-ins in real time.

Universal Audio Apollo X | Quad

Built upon UA’s 60-year heritage of audio craftsmanship, Apollo Twin X confidently outperforms everything in its class, with 127 dB D/A dynamic range and an included bundle of UAD analog emulation plug-ins, giving you a fully-stocked analog studio, right on your desktop.

Microphones

Warm Audio W87

The WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a CineMag USA output transformer. The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early ‘87 microphones.

The WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry.  The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer,  polystyrene and Wima capacitors and a Fairchild FET.  The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass & woodwind instruments, and an array of other sources.

R84 series ribbon microphones deliver the classic tonality of the legendary R44, with extended top-end and reduced proximity effect for mid-range and close-range recording.

The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D™ design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise.

The SM7B is a smooth and warm sounding microphone that is ideal for close-talk applications such as radio presenting and voiceovers for TV. It has also been widely used for vocals on numerous albums.

If you’ve ever heard someone sing or speak into a live microphone, there’s an excellent chance it was an SM58. Rock stars. Pop idols. Comedians. Presidents. Popes. Immortal words have passed through its iconic grille for generations. And with engineering and durability that set the world standard, it’s sure to keep turning up at legendary performances.

The sE2200 is the latest version of the award-winning cardioid condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications.

The Crown CM-200A cardioid condenser microphones for professional vocal and instrumental use offers studio-quality sound, yet is rugged enough to withstand hard professional use in the field. Its outstanding performance is complemented with handsome styling and a comfortable balance. The sound of the CM-200A is smooth and non-harsh ” yet very articulate ” with a wider frequency range than standard vocal microphones. When used up close, its proximity effect boosts the low-frequency response for a warm, robust sound. An upper-midrange "presence peak" adds intelligibility.

Professional super-cardioid, dynamic instrument mic. Versatile to handle drums, percussion, and guitar amplifiers. Switchable presence filter to tailor its sonic characteristics to different requirements.

Dynamic cardioid vocal microphone offering a smooth, natural sound. Fast transient response ensures no details are missed. Low handling noise. 100% metal casing for tough on-stage use.

Designed for critical home/project/professional studio applications and live performance, this side-address cardioid studio condenser delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the AT2035 provides an exceptional level of consistency from model to model. It comes equipped with a protective pouch and a custom shock mount.

Here's a radical new technology in microphones. Not quite, here's a radical old technology in microphones. Using a speaker as a low-frequency capture mic is nothing new. The Beatles used this technique as far back as the recordings of "paperback writer" and "rain," but a commercially available product at this price that employs this technique is something new. Available in three different finishes: black, white, and white with a black ring. Enter the Solomon mics "lofreq," built to get all the coveted chest-rumbling, sub-freq goodness, in a smaller package than conventional manufactured sub-mics, and half the price as well. Solomon mics mount to standard mic stands for limitless placement options, and stand choices... Whether dressed in black, all white or the black and white trooper, your lofreq will either make an impression or just seamless fit whatever aesthetic you choose.